Bob Horan’s musical career began at age 3, on a subway platform in Manhattan when he belted out on a toy bugle a perfect rendition of Anchors Away for two drunken sailors. He took up guitar in high school and found he had a knack for it. Influenced in the ‘50s by Elvis Presley, Buddy Holly and then the Kingston Trio, he started hanging around folk clubs in Greenwich Village in the early ‘60’s. The Village was a hotbed of social consciousness and young musicians perfecting their craft– Judy Collins, Tom Paxton, Jack Elliot, Dave Van Ronk, Arlo Guthrie, John Denver, the Lovin Spoonful, Jose Feliciano and, of course, Bob Dylan. Horan became part of the scene, playing in Washington Square Park for free on Sunday afternoons, and at folk clubs like Gerde’s Folk City as the ‘60s culture flourished around him. By 1966, Horan was playing regular gigs at The Back Fence, in the hub of Greenwich Village activity.
His musical odyssey took Horan from folk music to rock ‘n’ roll as the psychedelic era was ushered in. He played colleges, hotels and bars, and “greater and lesser cruise ships” in the Caribbean throughout the ‘70s. Then in the ‘80s, he married his wife Peggy, had two children, Colleen and Megan, and settled again in lower Manhattan where he continued to play regularly at popular clubs in Greenwich Village until the mid ‘90s. Meantime, Horan discovered another audience for his music that gave him immense personal satisfaction: he began playing for the elderly and infirmed in nursing homes and rehabilitation centers throughout New York City.
Trading the bar scene for the pristine environment of health care, he tapped into the healing power of his magical voice. “These are people who were independent and now have to be dependent,” said Horan. “They do it with great courage. I feel like I give them a song and a smile and maybe a bit of conversation. Some of them just need someone to talk to, somebody to listen to them and to wait for an answer when asking, How are you today” he adds. Says one nursing home Activities Director, “Mr. Horan’s knowledge of the universal language of music entices all. His large repertoire covers many generations of music. He reaches out to every resident no matter where they may be seated as if he’s singing directly to each one and and makes our residents feel like he is family. Joy Through Art, a not for profit organization, enables me to develop ongoing relationships so that I can focus on the needs of individuals on a regular basis. Horan has since expanded his horizons further and now also works with an organization called Music That Heals, which provides musical entertainment for sick and abused children.